Aia mau ke kamaʻilio i hoʻokumu ʻia ma waena o ka hana noʻeau a me kāna mea nānā.
Ke hele nei ka poʻe nānā i ka palena e hoʻokaʻawale i ko mākou honua mai ko ka pena pena.
Ua hōʻike hope ʻia ke ʻano erotic a me ka ambiguous o ka pilina ma waena o ke kiʻi a me ka maka.

ʻO ka wehe hou ʻana o nā hale hōʻikeʻike ma ka hapa nui o ka ʻāina ʻo Italia e hoʻihoʻi mai ana i nā kiʻi a me nā mākaʻikaʻi ua wehe i kahi kukui o ka mālamalama a me ka manaʻolana i ka wā lōʻihi a pilikia o ka maʻi maʻi COVID-19 e holomua nei. He manawa kūpono ia no ka hoʻomaha maikaʻi a me ka ʻuhane no nā mea aloha kiʻi Italia a me nā haole i koi ʻia no nā mahina e moeʻuhane e loaʻa hou kahi ʻāpana o ko lākou kūʻokoʻa nalowale.

Hāʻawi ka Art i ke ola, a me ka hōʻikeʻike o ka Barberini Corsini National Galleries cured by Michele Di Monte i hōʻike i kēia me ke kahe o nā malihini i hoihoi ʻia e ka hoʻopiʻi hoihoi o "Pehea nā kiʻi e hoʻohana ai iā mākou" - he enigma i 25 masterpieces o ka pena i kēlā lā ma waena o nā kenekulia ʻumikumamāono a me ka ʻumikumamāwalu. .

"ʻO ka hōʻikeʻike," wahi a Flaminia Gennari Santori, Luna Hoʻokele o ka Hale Hōʻikeʻike, "hoʻohonu i ka ʻike o nā hana i loko o ka hōʻiliʻili me kahi haʻawina waiwai, e hoʻonui hou i ke kulekele o ka hoʻololi ʻana me nā hale hōʻikeʻike ʻē aʻe e pili ana i ka hoʻoikaika ʻana i ke kuleana nui i hoʻokani ʻia e nā kiʻi. ma ka pae aupuni a me ka honua.

ʻO kekahi mau hana mai ka hōʻiliʻili ʻana i nā hale kiʻi ʻāina, he mau hōʻaiʻē mai nā hale moʻomeheu koʻikoʻi, me ka National Gallery ma Lākana, ka Hale Hōʻikeʻike ʻo Prado ma Madrid, ka Rijksmuseum ma Amsterdam, ka Royal Castle ma Warsaw, ka di Capodimonte ma Naples, ka Uffizi Gallery ma Florence, a me ka Savoy Gallery ma Turin.

Ma ke ala e holo ana ma 25 mau mea hana haku mele, makemake ka hōʻikeʻike e makaʻala i nā ʻano o kēlā kamaʻilio tacit i hoʻokumu mau ʻia ma waena o ka hana o ke kiʻi a me kāna mea nānā e like me ka wehewehe ʻana i nā kiʻi pena.

Inā hoʻopuka mau ʻia ke kiʻi i kahi anaina, ʻaʻole i kaupalena ʻia kēia hoʻopiʻi i kahi hiʻohiʻona maʻalahi akā pono ke komo ʻana a me ka hui pū ʻana.

Ma hope o ka hoʻolauna ʻana i ke kumumanaʻo o ka hōʻikeʻike, me ka hōʻikeʻike ʻana i ka hana nui a Giandomenico Tiepolo mai ka Hale Hōʻikeʻike ʻo Prado, "Il Mondo Novo," ua māhele ʻia ka hōʻikeʻike i 5 mau ʻāpana.

Ma ka māhele mua, "Ka paepae," nā puka makani, nā papa, a me nā pale e kono iā mākou e hele i ka palena e hoʻokaʻawale i ko mākou honua mai ka pena kiʻi; e like me ka mea i hana ʻia ma ka "Girl in a Frame" na Rembrandt, e hele mai ana mai ka Royal Castle ma Warsaw e kali ana iā mākou ma waho o ke kiʻi.

Ua ʻike maopopo ʻia kēia kono ma ka ʻāpana aʻe, "The appeal," kahi e hana ai e like me ke kiʻi "Sofonisba Anguissola" o ka haku mele ʻo Giovan Battista Caselli, "Venus, Mars and Love" na Guercino, a i ʻole "La Carità" (ka Charity. ) na Bartolomeo Schedoni e kamaʻilio ākea i ka mea nānā a koi i kou nānā.

Ma nā ʻāpana kikowaena 2, "The indiscreet" a me "The accomplice," ʻoi aku ka maʻalahi o ke komo ʻana o ka mea nānā, alusive, hūnā, a hilahila hoʻi. Kāhea ʻia ka mea mākaʻikaʻi e kū i kāna mea e ʻike ai, a i kekahi manawa ʻaʻole pono e ʻike ʻia, e like me kā Simon Vouet winking "Laki maikaʻi," kā Johann Liss hoʻowalewale ʻo "Judith lāua ʻo Holofernes," a i ʻole "Drunkenness of Noa" na Andrea Sacchi.

Hoʻopau ka hōʻikeʻike me ka ʻāpana i hoʻolaʻa ʻia no "Voyeur" kahi i hōʻike hope ʻia ai ke ʻano erotic a me ka pohihihi o ka pilina ma waena o ke kiʻi a me ka maka. I loko o nā kiʻi pena o "Lavinia Fontana," ʻo van der Neer a i ʻole Subleyras, ka voyeur, ʻaʻole wale i ka mea i manaʻo ʻia e makemake ai akā ʻike pū nō hoʻi ʻo ia i ke ʻano o kona nānā ʻana, ʻo ia ka mea nānā pono.

Eia ka hahau ana ka coronavirus a me ka hoʻihoʻi ʻana i ke ʻano hana, ka huakaʻi, a me ke ola ʻana iā ia iho i ke ola.

# pūnaehulehu

He aha e lawe ʻia mai kēia ʻatikala:

ʻO kekahi mau hana mai ka hōʻiliʻili ʻana i nā hale kiʻi ʻāina, he mau hōʻaiʻē mai nā hale moʻomeheu koʻikoʻi, me ka National Gallery ma Lākana, ka Hale Hōʻikeʻike ʻo Prado ma Madrid, ka Rijksmuseum ma Amsterdam, ka Royal Castle ma Warsaw, ka di Capodimonte ma Naples, ka Uffizi Gallery ma Florence, a me ka Savoy Gallery ma Turin.
“The exhibition,” says Flaminia Gennari Santori, Director of the Museum, “deepens the knowledge of the works in the collection with a valuable contribution, once again enhancing the policy of exchanges with other museums aimed at strengthening the key role played by the galleries at [the] national and international level.
The reopening of museums in most of the Italian territory bringing back art and tourism has opened a glimmer of light and hope during the long and troubled period of the COVID-19 pandemic still in progress.